Parodi, Pastiche, Ironi dalam Film Hello Ghost Versi Indonesia: Postmodernisme Jean Francois Lyotard
Abstract
Penelitian ini bertujuan untuk mendeskripsikan penerapan parodi, pastiche, dan ironi dalam film Hello Ghost versi Indonesia menggunakan teori postmodernisme Jean Francois Lyotard. Jenis penelitian ini adalah deskriptif kualitatif dengan menganalisis unsur-unsur postmodern dalam narasi film. Sumber data penelitian adalah film Hello Ghost yang dirilis pada tahun 2023, yang merupakan adaptasi dari film Korea Selatan. Teknik pengumpulan data yang digunakan meliputi teknik tontonan, catat, dan dokumentasi. Hasil penelitian menjelaskan bahwa penggunaan parodi dalam film ini berfungsi untuk mengolok-olok norma-norma budaya dan memberikan kritik sosial terhadap pandangan konvensional tentang kehidupan dan kematian. Aspek pastiche terlihat dalam kombinasi gaya visual yang menciptakan keragaman budaya, sedangkan ironi mengungkapkan konsistensi dalam pengalaman karakter, menantang asumsi penonton tentang kenyataan. Penelitian ini menunjukkan bahwa film Hello Ghost tidak hanya berfungsi sebagai hiburan, tetapi juga sebagai alat untuk refleksi kritis terhadap kondisi sosial dan budaya yang dihadapi masyarakat Indonesia, menciptakan lapisan makna yang kompleks dan relevan dalam konteks postmodern.
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